Abstract Geometric Faces
Abstract Geometric Faces
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About Abstract Geometric Faces
About Abstract Geometric Faces
A face is not one thing. It is many things simultaneously — profile and frontal view, expression and structure, the photographic detail of an eye and the geometric boldness of a coloured plane. Abstract Geometric Faces by Manasseh Johnson Sr. makes that complexity visible in a single, dazzling composition: a work of extraordinary technical virtuosity that is also, in its best moments, genuinely thrilling to look at.
Multiple faces — or facets of faces — are assembled and layered across a clean white ground, held together by bold geometric forms rendered in vivid primary and secondary colour. A profile on the left shows warm brown skin and violet-purple lips in photorealistic detail, its eye rendered with the precision of a portrait photographer. At the centre, geometric planes of red, blue, green, yellow, and orange intersect and overlap, each one carrying fragments of a face: an eye with long lashes, a bold arched brow, a red curved nose rendered in the graphic language of modernist illustration. To the right, a second photorealistic eye looks sideways from a pink geometric field. Below, a pair of full, photorealistic lips occupy the central orange form with the confident graphic presence of a Lichtenstein cropped to its most essential element. The whole composition casts shadows onto itself, giving the overlapping planes a three-dimensional quality that makes the image seem to project outward from the wall.
Manasseh Johnson Sr. works at the intersection of hyperrealism and Cubist-inspired geometric abstraction — a meeting point that has very few practitioners and even fewer who navigate it with this level of skill and visual intelligence. The photorealistic facial fragments are painted with a technical precision that is genuinely extraordinary: the eyes, lips, and skin textures are rendered with the fidelity of fine art photography. Against this, the bold geometric planes of flat colour — red, blue, yellow, green, orange, pink — provide a graphic counterpoint that is simultaneously Picasso, Mondrian, and something entirely its own. The tension between the hyper-real and the geometric, between the intimate and the architectural, is what gives the work its energy and its depth.
The colour palette is bold, primary, and immediately striking. The vivid red, blue, yellow, green, and orange of the geometric forms stand against a clean white background with the confident graphic impact of a modernist poster, while the photorealistic skin tones and the violet of the lips provide warmth, humanity, and unexpected depth. It is a palette of maximum visual energy — one that brings immediate presence and sophistication to any interior.
Abstract Geometric Faces works beautifully in a living room or home office, where its combination of technical mastery and graphic boldness creates a focal point of genuine intellectual and visual interest. In a studio or creative workspace, it brings energy, ambition, and a daily reminder of what art can do when it refuses easy categories. It pairs beautifully with clean white walls, warm wood, and any contemporary interior that welcomes bold colour and strong visual statement.
Each print is produced on premium matte paper, which captures the full tonal range of Manasseh Johnson Sr.’s extraordinary surface. The photorealistic eyes and lips are rendered with all their precision and depth, the geometric planes of colour are vivid and clean, and the cast shadows give the composition its remarkable three-dimensional quality. The non-reflective finish gives the print a clarity and presence that does full justice to the original work.
Abstract Geometric Faces is available in six sizes: A4, 30x40, 40x50, 50x70, 70x100 and 100x140 cm. In smaller formats, the intricacy of the composition and the precision of the photorealistic details reward close attention. In larger sizes, the bold geometric planes fill the wall with vivid, primary-coloured energy, and the scale gives the composition the presence and authority of a major artwork.
For framing, we recommend a slim black or white frame to complement the clean white background and give the print a gallery-quality, contemporary finish. A warm natural wood frame also works well, softening the graphic impact slightly and adding warmth to the bold primary palette.
Abstract Geometric Faces by Manasseh Johnson Sr. is a work about the multiplicity of the human face — about the way identity is assembled from fragments, viewed from multiple angles, held together by structure and colour and the irreducible particularity of an eye, a lip, a brow. It is art of genuine ambition and genuine beauty.
Tips for hanging your poster
Tips for hanging your poster
How to hang your poster – simple and stylish tips
Getting a poster to hang perfectly is all about the small details. Start by choosing the right height — as a general rule, the center of the poster should sit around 145–155 cm (57–61 inches) from the floor, placing it naturally at eye level. Pick a frame that complements both the artwork and the room, and take a moment to measure so everything hangs straight.
Consider the lighting too: natural light makes colours appear vibrant, but avoid direct sunlight to keep the print looking beautiful for years. If you're hanging multiple posters together, begin from the center and keep the spacing consistent for a clean, balanced look.
It's the little adjustments that make all the difference — creating a refined and well-composed result.
Hang your poster with no measuring stress
Use painter's tape for a quick and perfectly straight result:
- Hold your frame against the wall where you want it.
- Place a strip of painter's tape along the top edge of the frame.
- Mark exactly where the nail or screw should go.
- Remove the tape and stick it onto the wall — perfectly level.
- Hammer the nail into the marked spot.
- Remove the tape and hang your poster.
A simple method for a clean, perfectly aligned poster — every time.
Shipping and delivery
Shipping and delivery
Fast delivery
We strive to ship your order from our warehouse within 24 hours – and always guarantee dispatch within 2–3 business days.
Shipping within Denmark costs 49 DKK with GLS parcel shop.
Free shipping over 399 DKK or 4+ posters (Denmark only)
Easy & secure returns
Easy & secure returns
Easy and secure returns
You have a full 14-day return right.
Simply contact us at hello@helloposter.com if you wish to return your order.
Important: Uncollected parcels are not considered valid cancellations, and you cannot cancel a purchase by refusing delivery.
A return handling fee of 49 DKK will be deducted from your refund.
Returns
All return items must be sent directly to our address – not to a parcel shop.
Uncollected orders are also not considered returns; in these cases, the buyer covers the return shipping cost of 49 DKK.
For orders that included free shipping, the actual shipping costs we incurred will be deducted from your refund.
The buyer always covers return shipping costs.
Please note that we do not accept parcels sent as “cash on delivery.”
To ensure fast processing, please contact us at hello@helloposter.com before returning your order.
Secure checkout – Ships within 1-3 business days
- Printed on high-quality matte silk paper with rich colour depth — Nordic Swan Ecolabel & FSC-certified
- Handpicked artworks by talented artists
- Produced and shipped from Denmark — fast and reliable
